No. 12 "Gifts"

I love giving away instant photos as gifts to friends. Every photo is one of a kind, and that is something truly special today with digital photography. It's really tough to choose which ones to give away though, because I have to really like the photo to feel comfortable enough to part with it. On the other hand, I also want to keep the photo because I really like it. This photo possibly one of my all time favorites, but I ended up giving it away. It took me a while to fully convince myself to do that. I guess I just want to spread the magic of instant film.

No. 11 "New Colors!"

The Impossible Project's brand new color film is almost here! PX 680 Color Shade is going to be TIP's equivalent to the original and iconic Polaroid 600 film. The colors are still not quite as true to life as the 600 film was, but the colors are still fantastic and the best that TIP has produced to date. The film hasn't officially been released yet, it is scheduled to be released in a few weeks on May 6th, but they gave all of the "Impossible Pioneers" the chance to purchase the Beta version of the film and that's what these pictures were taken on.

No. 10 "Life in the Desert"

WYF #2

This photo was taken in Joshua Tree National Park and is from my first pack of Polaroid Artistic TZ film. The whole pack turned had a strong green color cast which adds a certain character to the photo that I'd never seen before. What I like about this photo is how the tree looks so isolated and solitary, which gives you a feeling of how life is in the desert. The twists and bends of the tree also give you a sense that it had to endure some pretty harsh conditions to be alive and makes you wonder just how hard life in the desert really is.

No. 9 "Always Expect the Unexpected"

I went out shooting a couple weeks ago before it started raining and shot a pack of PX600 UV+ on my Polaroid SX-70. These two photos are my favorites from the pack. Although I effectively only had 6 shots that had images on them out of the 8 total in the pack. Sometimes problems happen when you shoot instant film and you just have to work through them. Midway through the pack, the camera (which is over 30 years old) didn't reset itself properly after taking a shot. The only way to reset it manually is to take the pack of film out and put it back in, so that's what I did. Only the uppermost photo must have shifted a bit when I took the pack out, because when I went to take the next shot, two photos came out at the SAME time. The result was interesting to say the least, but I kind of like the one on the left though, so I guess it's not a total waste!

No. 8 "What's Your Favorite?"

I have a really hard time knowing which of my photos other people will love. I'm always surprised at peoples reactions when I show them my photos. They may just glance at my favorite in the pile, and then be crazy about a different one that I didn't even give a second look at. So I decided to try and start a series in which I post some of my favorite photos and attempt to explain in a few words why I like them. So let's start with this this:

WYF #1

I really like this one and I think it's because of Entropy (yes, Entropy). The grasses surrounding the cover are just chaotic and disordered, while the cover itself is the exact opposite. It is a perfect circle and has those nice converging lines. It's going against the universe and has ∆S<0. The image is also simple and the contrast also adds a kind of stark quality to the image that I like.

No. 7 "Peeling? What's Peeling?"

Everyone knows the famous white border around Polaroid photos, but they didn't always look like that. Peel-apart film came before the all-in-one or integral film that is so iconic. Aptly named because you have to peel away the print from the negative. Straight out of the camera you have the print and negative sandwiched around the chemicals. After a specified amount of development time, you peel away the print from the negative. The whole process is much more messy than with integral film because you have exposed chemicals and you have to dispose of the negative.


Using peel-apart film is by no means foolproof. You have to manually pull the film out of the camera and the quality of the print depends on how fast or slow you pull. Then you have to time the development time accurately based on the ambient temperature and the contrast and color tones depend on how long you let it develop before you peel. Plus, on some of the older versions of the black and white film, you had to apply a coating to the prints so that they wouldn't fade. This is why Polaroid invented integral film, because all you truly have to do is point and shoot. The camera and film do the rest for you!

No. 6 "Larger Than Life"

Polaroid macro-photography is not something you'll hear or see very often. So naturally I was intrigued when I found out that Polaroid made a macro camera! The camera is called the Macro 5 SLR, uses Spectra film, and has five fixed magnification settings ranging from 0.2x to 3x. The camera is huge, though, it's about the size of your head! That's only a minor drawback however since it can take some pretty spectacular photos.